2005
Contemporary Japanese Ceramic Masterworks Exhibition II August 5 - 31
Read about this
show in Ceramics Art & Perception vol. 66, p.30-32, 2007.
Tadashi Mori
Enku
D
uring the early Edo
period, a Buddhist monk named Enku (1632-1695) wandered all over Japan,
helping the poor along the way. During his travels, he carved some
120,000 wooden statues of the Buddha. No two were alike, these were not
elaborate monuments for self-aggrandizement. Many of the statues were
crudely carved from tree stumps or scrap wood with a few strokes of a
hatchet. Some were given to comfort those who had lost family members,
others to guide the dying on their journeys to the afterlife. Thousands
of these wooden statues remain today all over Japan.
As a young man, Tadashi Mori (b. 1940) aspired to be
a sculptor. He once retraced Enku’s footsteps around Japan to see
those wood carvings. When Mori found his first job in the design
department of a ceramic factory, young ceramists in Japan began to
experiment with new ideas. Western thinking and aesthetics found fertile
ground among these Japanese artists. In 1964, Mori saw the work of
contemporary American ceramists in the International Exhibition of
Contemporary Ceramic Art organized by the National Museum of Modern Art
in Japan. Inspired by the creative energy of American ceramists, Mori
began his life-long quest for his own artistic freedom.
Eager to experience the art and culture that started
the Renaissance, Mori resigned from his job in 1970 and traveled to
Rome, Italy. Roaming through the magnificent architecture of another
ancient civilization, he realized how much humans need nourishment from
culture and art. Upon returning to Japan, he chose to be a full-time
artist, committing himself to create highly original
works, for which he received many awards. His interest in foreign
cultures prompted him to study Thai folk art and travel to Thailand
through a Japan-Thailand cultural exchange program. Some of Mori’s
most important works, including his monumental pieces entitled
"Women Who Like to Whisper", are an amalgam of unique
multicultural perspectives.
In 1997, Mori was selected among twenty-one noted
Japanese artists profiled in a book entitled Toward a 21st Century
Renaissance in Ceramics (Dohosha Ltd. publisher), in recognition to
their contributions to contemporary Japanese ceramics. The late Peter
Voulkos, one of the American artists in the 1964 exhibition in Japan,
wrote in this volume: "Their commitment is very ambitious and
(their) risk taking generates an excitement that at once transcends the
boundaries that have constrained the development of new ideas and
possibilities that ceramics can afford."
Mori's long journey of artistic and spiritual
discovery culminates in this series of ceramic sculptures entitled
the Enlightenment. Inspired by Enku's Buddha wood
carvings, these ceramic sculptures convey a sense of speed and freedom.
They look as if they were created in an instant with one sweeping
gesture. Spontaneous, irrepressible, irreproducible. His current show Enku
is an artistic tour de force, presenting over two dozen new works. Each piece,
adorned with colors
traditionally for decorating Buddha statues: red, white, metallic silver
and gold, represents a singular moment of enlightenment, an ecstatic
instant of sudden freedom, an unspeakable joy of letting go.