"Man
is a thinking reed but his great works are done when he is not calculating and
thinking."
-
Teitaro Suzuki (1870 - 1966).
Mu (無),
a Japanese/Chinese word for nothing, is said to be a
gateway to Zen. It's a state of mind that transcends the perceived distinction
between self and the rest of the world. In this state, the mind becomes clear as
a mirror, the body merges with the surroundings, thoughts and movements become
spontaneous and natural. In this state of mind, an artist no longer creates art
as a separate entity; the artist becomes his/her art, which in turn
reflects perfectly upon the artist. Santa Fe artist John Guernsey, a life-long Zen
practitioner, has been seeking this state of mind in his paintings.
Guernsey developed an interest in painting early (His mother
and grandfather were both painters). He studied painting at Alfred University
and later at the Art Students’ League. But it was a Chinese sumi-e show in a
New York City museum that sparked his interest in Chinese and Japanese sumi-e
and calligraphy, particularly Zenga, a form of brush painting practised by Zen
Monks. This, along with his Zen practice, formed his desire to create paintings
that are spontaneous, alive, and combine elements from Eastern and Western
traditions.
Unlike traditional sumi-e painters who apply ink with a
variety of Oriental brushes, Guernsey paints with oil, using only a simple
palette knife. He recalled how he developed his style. He used to paint in
a representational style, he would often scrape off the palette with a knife and
swipe the colors onto a piece of newspaper. He was struck by the unexpected
beauty of the intermingled colors resulted from his casual
hand movements. That is how he wanted to paint! He quickly learned that it was
very difficult to deliberately create paintings with such spontaneity. After
many experiments, he settled on the simplest tools, oil colors, pigments, a
palette knife and no brushes.
However, the most important ingredients are not the tools. As
in Japanese Zen painting, the mindset of the painter is of the utmost importance
in order to express the ineffable in a direct and uninhibited manner. Guernsey
prepares for each painting session by emptying his mind through Zazen
meditation. Then, in a burst of energy, he would apply colors onto paper with
a single or a few strokes of a palette knife. The aim is to project himself in
an instant onto the medium, with minimal conscious thoughts and deliberate
thinking. He works with either watercolor paper or Japanese paper. The former
accentuates impact and strength. The translucent nature of Japanese paper yields
delicate nuance uncommon for this medium. With this approach, the creation of
each painting is fresh, vibrant, and immediate.
The current exhibition, Mu - Subliminal Expression of the No
Mind, features 19 pieces of unusually candid and expressive
oil-on-Japanese-paper work that embodies
the artist's continued artistic and spiritual journey.